{"id":13686,"date":"2022-01-06T10:30:10","date_gmt":"2022-01-06T15:30:10","guid":{"rendered":"https:\/\/katiamariegermain.com\/?page_id=13686"},"modified":"2022-01-06T10:31:21","modified_gmt":"2022-01-06T15:31:21","slug":"presse","status":"publish","type":"page","link":"https:\/\/katiamariegermain.com\/presse\/","title":{"rendered":"Presse"},"content":{"rendered":"\t\t
\u00c0 PROPOS DES OEUVRES \u2193<\/p>\n\t\t
2012-2020 Revue de presse \u00c0 PROPOS DES OEUVRES \u2193 Habiter The pair\u2019s uncanny synchronicity, in the simplest of actions like swiping their forearm across the table, were timed with the utmost precision, challenging the idea that perfection does not exist. Valeria Nunziato The Dance Current, 2019 From this sort of still-life that changes with extreme […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full-width.php","meta":{"inline_featured_image":false,"footnotes":""},"_links":{"self":[{"href":"https:\/\/katiamariegermain.com\/wp-json\/wp\/v2\/pages\/13686"}],"collection":[{"href":"https:\/\/katiamariegermain.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/katiamariegermain.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/katiamariegermain.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/katiamariegermain.com\/wp-json\/wp\/v2\/comments?post=13686"}],"version-history":[{"count":92,"href":"https:\/\/katiamariegermain.com\/wp-json\/wp\/v2\/pages\/13686\/revisions"}],"predecessor-version":[{"id":14641,"href":"https:\/\/katiamariegermain.com\/wp-json\/wp\/v2\/pages\/13686\/revisions\/14641"}],"wp:attachment":[{"href":"https:\/\/katiamariegermain.com\/wp-json\/wp\/v2\/media?parent=13686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}